3–5pm
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97–99 Hoxton Street, London N1 6QL
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Writer Caitlín Doherty performed a response to Daniel’s Wards Lonesome Ghosts, using the film’s focus on documentation as a device to think through deception.


Biography:

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Caitlín Doherty is a writer based in London, who has published on a wide range of topics, from contemporary art and cinema to feminism and theories of capitalism for publications including Harper’s Magazine, the New Statesman, Jacobin, Film Comment, New Internationalist, The Baffler and New Left Review, where she is a member of the Editorial Committee. Her current project is a history of globalisation, told from the vantage point of the Swiss town of Davos, to be published by One Signal and Faber Books.