In this edition, Abigail Reynolds has taken pages from British writer, H.E. Bates’ The Face of England, 1952. Chosen for the quality of colour achieved by this early printing technology, these unique works build on Reynolds’ works interest in books as material, and the narratives and histories they build, interweaving and erasing to form new layers of meaning over time.

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Sightlines: Devil’s Dyke, 2018
18.5 x 24.5cm
Each unique
Edition of 10

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£600 or £1000 for a set of two (framed)

Price includes frame

In this edition, Abigail Reynolds has taken pages from British writer, H.E. Bates’ The Face of England, 1952. Chosen for the quality of colour achieved by this early printing technology, these unique pieces build on Reynolds’ works interest in books as material, and the narratives and histories they build, interweaving and erasing to form new layers of meaning over time.

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Sightlines: Rydal Water, 2018
18.5 x 24.5cm
Each unique

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£600 or £1000 for a set of two (framed)

Price includes frame

To mark her exhibition The Universal Now and further episodes at Peer, Abigail Reynolds generously produced two artworks in limited editions of five each to raise money for Peer’s programme. Both images have been taken from The Face of England, a 1952 publication, which the artist has chosen for the quality of colour achieved by this early printing technology. Price includes framing with UV museum glass.

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Sightlines, Devil's Dyke and Sightlines, Rydal Water, 2018
Individually over-printed book pages from The Face of England, 1952
18.5 x 24.5cm

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£1,000 for a set of two

This striking artwork has been created by Abigail Reynolds to support Peer’s programme. It is one in a series of 26 unique works made on paper hand-marbled by the artist and overprinted with a photograph by Theo Berntröm.
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Oil on Book White Heritage paper 315gsm overprinted in black
17.3 x 23.8cm
Series of 26 Unique Works

To raise funds for Peer's programme, Andrew Lanyon generously produced Alacrity Shipwreck, Cornwall; a contemporary reprint of a photograph taken by the artist in the 1960s.

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Stochastic Pigment Print on Da Vinci Fibre Gloss paper 300gsm
17 x 25.5cm
Signed and numbered
Edition of 10, unframed

To raise funds for Peer's programme, Andrew Lanyon generously produced Boy Jumping, a contemporary reprint of a photograph taken by the artist in the 1960s.

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Stochastic Pigment Print on Da Vinci Fibre Gloss paper 300gsm
17 x 25.5cm
Signed and numbered
Edition of 10, unframed

To raise funds for Peer's programme, Andrew Lanyon generously produced House of Cards, a contemporary reprint of a photograph taken by the artist in the 1960s.

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Stochastic Pigment Print on Da Vinci Fibre Gloss paper 300gsm
17 x 25.5cm
Signed and numbered
Edition of 10, unframed

To raise funds for Peer's programme, Andrew Lanyon has generously produced The Striped Dress, a contemporary reprint of a photograph taken by the artist in the 1960s.

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Stochastic Pigment Print on Da Vinci Fibre Gloss paper 300gsm
17 x 25.5cm
Signed and numbered
Edition of 10, unframed

In 2006, as part of Peer’s programme, artist Anthony McCall exhibited Between You and I at the Round Chapel. To raise funds for Peer’s programme, Anthony produced Coupling, a documentation of the project and a sketch of the projected light.

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Somerset Photo Rag 300gsm
51.4 x 34.4cm
Signed and numbered
Edition of 75, unframed

Specially for their project, Bob and Roberta Smith produced a Shop Local shopping bag in a signed limited edition.

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Edition of 250
Manufactured by Eco Bags using 100% recycled cotton for fair wage and fair labour.

To raise funds for Peer’s programme, Bob & Roberta Smith generously produced Art Works For The People, 2017.

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Acrylic on Paper
Signed and numbered
Edition of 15, unframed

Bridget Smith exhibited at Peer in 2010, and generously made this image of the Community Hall in 2014 as part of her ongoing series Society, Recording Clubs and Associations in London.

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Arden Estate Community Hall, Hoxton (2014), 2018
Inkjet print on 300gsm Somerset paper
Edition of 25

As part of artist Bridget Smith 2010 solo exhibition, Nobody Else Even Knows at Peer, she produced Vintage Car Club, Whangarei, (2006) (2010) a new limited edition print for Peer Editions.

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Inkjet print on 300gsm Somerset paper
Edition of 20 (+3APs)
£200 (unframed) / £350 (framed)

On the occasion of her exhibition, Shadow, Catherine Story produced Camera (2018), a limited edition sculpture to help raise funds for Peer.

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Cast bonding plaster
21 x 15 x 8cm (including plinth)
Signed and numbered

David Murphy’s Peer edition, Blanket, is a series of fifteen exquisite drawings, produced as part of his 2014 Peer exhibition, Certain Impacts.

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Blanket (2020)
Hand-drawn Casein on paper
14 x 19cm
Edition of 26 unique works, unframed

David Murphy’s Peer edition, Ribbon, is a series of fifteen exquisite drawings, produced as part of his 2014 Peer exhibition, Certain Impacts.

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Hand-drawn Casein on paper
14 x 19cm
Edition of 15 unique works, unframed

As part of artist Ergin Çavusoglu’s 2010 solo exhibition, Crystal & Flame, the artist produced a limited edition print, Diamond Heart. The edition, a close up study of a gem, references Çavusoglu’s three-screen video installation that includes images of a jewel-cutting workshop. A symbol of the ineffable and the eternal, and an index of worldly wealth, the gem is also a reminder of the former diamond trade of the old East End.

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Digital Giclée Print on Somerset Velvet Enhanced paper 330gsm
Screenprint with black and silver glitter
45 × 29cm
Signed and numbered
Edition of 30 +5 APs, unframed

In association with artist and filmmaker, John Smith’s 2011 Peer exhibition, unusual Red cardigan, the artist produced a limited edition, eBay Gum (2011).

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Digital Pigment Print on Somerset Enhanced paper 330gsm with a one colour silkscreen gloss overprint
36.5 x 29.7cm
Signed and numbered
Edition of 50, unframed

Double Shadow, 2013–18 is a special edition generously made by artist John Stezaker to mark and celebrate twenty years of Peer’s previous Director Ingrid Swenson’s MBE Award for Services to the Arts in East London. Swenson was Peer’s Director from 1999 to 2021.

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Digital Pigment Print on Somerset Photo Satin paper 300gsm
50 x 40cm
Edition of 50 + 5 APs
Signed and numbered

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21-40: £450

To raise funds for Peer’s programme, Joy Gerrard has generously produced Protest Crowd (test 1), 2015.

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Series of 10 unique paintings based on elements from her large canvases in Protest Crowd.

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Japanese ink on linen
20.5 x 30cm
Signed and dated on reverse

To raise funds for Peer’s programme, Joy Gerrard has generously produced Protest Crowd (test 2), 2015.

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Series of 10 unique paintings based on elements from her large canvases in Protest Crowd.

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Japanese ink on linen
20.5 x 30cm
Signed and dated on reverse

This artwork was generously produced by London-based artist, Kathy MacCarthy to support Peer’s programme. Made in a series of 25, each individual work has been hand-printed on paper by the artist.

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Relief print in acrylic on watercolour paper 300gsm
30 x 30cm
Series of 25 unique works

Kathy Prendergast’s series of exquisite postcard-sized watercolour drawings are a continuation of her longstanding investigation into maps and mapping. Prendergast has turned her gaze away from the earth’s cartography, often with a focus on notions of settlement, migration and displacement, and has looked to the un-colonised heavens and the cosmic abyss. These unique works were produced during a short residency at Peer while the capital improvement works were being carried out in 2015.

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Series of 20 unique drawings

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Watercolour and pencil on UPM fine uncoated paper 350gsm between 3mm perspex sheets
10.5 × 14.8cm (A6)
Signed and numbered on back

A special limited edition print by London Fieldworks created for Peer’s 2016 reopening. The print accompanies Spontaneous City: Hoxton, a sculptural work that takes the form of 212 bespoke bird boxes of varying sizes mounted onto the fencing in the newly erected green public space on Hoxton Street.

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Risograph Print in Flat Gold on Munken Pure paper 240gsm
29.7 x 42cm
Signed, blind embossed and numbered on the front
Edition of 212

This inhabitable sculptural multiple, in an edition of 25, was made for Peer’s 2016 reopening and accompanies Spontaneous City: Hoxton, a sculptural work that takes the form of 212 bespoke bird and bug boxes of varying sizes mounted onto the fencing in the newly erected green public space on Hoxton Street. The design reflects the compact post-war social housing of the local area.

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Edition of 25
15 x 15 x 10cm each
Stamped and numbered

A paper theatre set drawing from original 1800s designs by Pollock, Skelt, Parks, Webb, Green, and Redington.

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Colour risograph prints on paper
12 x A4 prints per pack

London-based artist Marcus Cope’s Peer editions are based on original oil paintings on paper. Printed on Hanhemühle Photo Rag and mounted on Aluminium, the editions do notrequire framing. Marcus Cope had his first solo show in a public institution at Peer, Silver Linings, in 2022.

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The editions comprise a combination of overlayed images depicting memories and places such as: two sides of a wall in Cyprus (re-discovered by the artist after two decades); a photo on a restaurant wall in Wiltshire; an unaccepted invitation; some just vandalism of a second-hand car dealership; a feeling of freedom; another of anger; a conversation with a dying family member; memories of childhood holidays; an attempt at empathy. And at the heart of the works, a relationship between two people.

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Giclée Print on Hanhemühle Photo Rag mounted to Aluminium
25 x 25cm
Signed and numbered
Edition of 12 + 2 APs £400 each
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To purchase as a pair at £750, please email us info@peeruk.org

One of two limited editions produced by Mike Nelson, depicting The Deliverance and The Patience, an installation commissioned by Peer and installed in a large disused brewery building on Giudecca in Venice as part of the 2001 Biennale. This black and white image is a behind-the-scenes shot of the installation. The items on the shelves are laid out, ready to be selected and incorporated into the narrative of the work.

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Screenprint on Campaign MG poster paper 115gsm
70 x 100cm
Signed and numbered
Edition 250 + 20 APs

This is one of two limited editions produced by Mike Nelson, depicting The Deliverance and The Patience, an installation commissioned by Peer and installed in a large disused brewery building on Giudecca in Venice, as part of the 2001 Biennale. This limited edition comprises two images of the installation itself, offering contrasting views of the uneasy and intense spaces experienced within the work.

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Inkjet Print from two 35mm transparencies on Somerset Smooth paper 300gsm
35 x 60cm
Signed and numbered
Edition of 50 + 10 APs, unframed

Following on from his two-person exhibition with Jeremy Moon at Peer in 2016, Neil Clements produced a print that features remade versions of every painting Moon produced during 1967.

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Clements’ practice investigates ideas around authorship, while frequently making direct reference to abstract artworks produced during the 1960s and 70s.

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Part homage, part formal dissection, Clements’ source for this exercise in reverse engineering was the hand-drawn and meticulously annotated records of the shaped canvases Moon maintained at that time.

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Digital print on White Gold uncoated paper 180gsm, unframed
59.4 x 42cm (A2)
Signed and numbered
Edition of 100

On the occasion of their 2018 Peer exhibition, Breadrock, artist collective Fourthland (Isik Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler have generously produced a limited edition, bearer of breadrock. The edition comprises 16mm film scans embedded in handmade block frames.

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Fourthland and Rosalind Fowler, bearer of breadrock (2018)
16mm Film Scan on Cotton Rag paper 300gsm
17 x 22 x 5cm
Framed

On the occasion of their 2018 Peer exhibition, Breadrock, artist collective Fourthland (Isik Sayarer and Eva Knutsdotter) and artist and filmmaker Rosalind Fowler have generously produced a limited edition, umbilical. The edition comprises 16mm film scans embedded in handmade block frames.

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Fourthland and Rosalind Fowler, umbilical (2018)
16mm Film Scan on Cotton Rag paper 300gsm
17 x 22 x 5cm
Framed

Sam Porritt's 2010 Peer exhibition, Heads and Face, explored the human head, physiognomy and the anthropomorphic potential of abstract form. To raise funds for Peer, Sam generously produced this edition, Act Natural.

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Pigment ink on paper
42 x 29.5cm
Signed and numbered
Edition of 40 unique drawings, unframed

Produced in association with artist Stuart Brisley’s 2010 solo exhibition and durational performance, Next Door (the missing subject), Brisley’s Peer edition documents his time as a temporary resident amongst the trash and pandemonium of the former shop next door to Peer.

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This project marked the acquisition of the lease on 97 Hoxton Street, which enabled the organisation to expand into next door. Adopting the persona of RY Sirb, Brisley’s Curator of the Museum of Ordure, he will investigate and interrogate this transitional space before its transformation as a place of social order and cultural endeavour.

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Digital photographic print on Da Vinci archival paper 315gsm
42 x 59.4cm (image size 33.9 x 50.8cm)
Edition of 25 + 3 APs, unframed

As part of Tanoa Sasraku’s first solo exhibition in a London public gallery in 2023, Peer produced a new limited edition by the artist titled Scholar’s Rock (2022). Sasraku’s Peer edition is a scanned detail from the Terratype series onto Awagami Kozo paper.

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Focusing on a unique image of newsprint marked by Sasraku’s needle, tearing and embossing work, this edition is the only work in the artists series that was soaked in the bogs of Dartmoor, near to where she grew up, and the site of many formative experiences. Within the edition, blades of grass can be seen knotted into the weave of the fringed newsprint, showing evidence of its grounding within the landscape.

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Inkjet print on Awagami Kozo Thin Natural Paper
110 x 46cm
Edition of 50 + 4 APs
Signed and numbered

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1 - 20: £225 (unframed) *limited availability
21 - 40: £250 (unframed)
41 - 50: £275 (unframed)

Produced in association with London-based, Croatian artist, Vlatka Horvat. In Horvat's 2022 Peer exhibition, By Hand on Foot, they produced a series of twelve unique works on paper for Peer’s Edition programme.

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Emerging from the artist’s daily practice, over the duration of a year, of walking-related image making, this edition depicts a series of images taken on a single day, during an hour-long walk in Horvat’s North London neighbourhood.

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Each photograph has been torn by the artist’s hand, acting as a continuation of lines and shapes found in each unique photograph. Via the tear, the trace of action and the materiality of paper become part of the image.

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Inkjet photo collage
Unframed dimensions: 29.7 x 21cm
Edition of 12 unique works [one edition remaining, pictured]
Signed and numbered, unframed*

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*Price includes a limited edition hand-made artist book documenting the entire series, To See Stars over Mountains, 2022 (Peer and Unstable Object)